Musings in the Dark: Music
Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

2/20/2021

Hip-Hop History

One day, a few months ago, I was scrolling my FB feed and one of my friends dropped this on my timeline.


Man, I watched this video a good nine or ten times.  It slaps so damn hard.  The musical selections are awesome and the arrangement and transitions are all the way on point.  I think my favorite part of the sequence is the intro to Kanye West's "Flashing Lights," and I nearly died with joy when Sisqo's "Thong Song" made its way into the mix.  Never ever expected to hear that in an orchestra.  Regardless, the whole encore is straight fire.

5/04/2020

The Mighty Elements of the Universe

Lately, I’ve been listening to a lot of music while working from home.  YouTube is amazing in this regard.  I click on a song I like and the algorithm generates a relevant playlist.  Next thing I know, I’m down the YT rabbit hole listening to the soundtrack of my earlier years; songs that used to play on Saturdays when my Momma made me clean up the house.  I’m sure a whole lot of y’all know exactly what I’m talking about.  

Some of the songs that popped up included the GAP Band’s “I Don’t Believe You Wanna Get Up and Dance,” Con Funk Shun’s “Love’s Train,” Curtis Mayfield’s “Diamond in the Back,” Lakeside’s “Fantastic Voyage,” and the Brothers Johnson’s “Strawberry Letter 23” and “Stomp!”  I was bobbing my head so hard I lost track of what I was actually doing.

2/18/2019

All Hail The Queen




I know I said I was going to get back to writing weekly but I simply haven’t been able to.  Work has been unbelievable; all kinds of crazy shit has happened in the past six weeks.  But anyway…here I am; my first real post of 2019…first real post in what…a year?  And what’s it about?


1/02/2017

Prince's Legacy, #1

#1: Parade


My favorite album by His Purple Majesty.   Parade is the soundtrack to Prince’s second film, Under the Cherry Moon.  The movie was nowhere near as good as Purple Rain, but it didn’t have to be.  I love Parade because it has a European feel to it, as UTCM was set in France.  From start to finish, the album is a classic fusion of pop, jazz and soul with some definitive French undertones.  It is different from any of his previous albums, and along with the theme change, Prince himself changed.  He went from his trademark curls and ruffles to a sleek slickback and feminine-tailored suits.  Yet he remained beautiful and ethereal.

11/16/2016

Prince's Legacy: #2

#2:  Purple Rain

This is Prince’s 6th studio album, and it is iconic; the definitive Prince album.  It was his second with The Revolution, and it, of course, is the soundtrack to the movie of the same name.

Like, do I even need to say more?  Everyone knows Purple Rain.

I will, because the album deserves the full treatment.  It sold over 22 million copies and is one of the best-selling soundtracks ever, in addition to being one of the greatest albums of all time.  It won two Grammys and an Oscar, and four of the songs became Top 10 hits.  Purple Rain owned #1 on the Billboard charts for 24 consecutive weeks, and was added to the Library of Congress’ National Recording Registry for its cultural significance.

Now that is an impressive list of accomplishments.

10/15/2016

#3: Prince's Legacy

#3: Sign O’ the Times

This gem of a double album came out in 1987 and it was the first Prince album I actually owned myself and believe me, I played it until the needle broke.  I used to stare at the album cover (inside and out) for hours.  Prince had this whole peach and black thing going on (as mentioned in “U Got the Look”) and the inside cover contains a picture of him sitting in front of what I swear looks like my mother’s living room window sporting a peach outfit, glasses and fierce hair.  He was fucking beautiful and stimulated quite a few dreams and fantasies.   I am not ashamed to admit this.  Hell, y’all know me by now.  Men inspire me.

9/10/2016

Prince's Legacy #4

#4: Musicology

Musicology dropped in 2004.  It’s an R&B-heavy album and was Prince’s most successful album since Diamonds & Pearls.  My bestie and I went to the concert and scored front-row seats.  We were maybe twenty feet from His Royal Badness and it was epic!!!  My bestie is an even bigger fan than I am; she saw him in concert five times.  One of the things she told me was that Prince’s concerts ALWAYS started on time, and that magical Monday night was no different.  The show was from 7:30 – 11:30 and opened with Morris Day & The Time.  We were screaming like lunatics and on our feet the entire time.

8/07/2016

Prince's Legacy #5

#5: 1999

1999 dropped in 1982.  It’s synth-heavy; you get the impression that Prince was experimenting with a lot of different keyboards and drum machines.  As a child, I was a fan of keyboard-laden music and so one-nine-nine-nine was right up my alley.  It was the first of his albums to crack the top 10 (peaking at 9 when it was released and 7 after he died).  It’s the album that made people stand up and take notice of the Purple One.  The cover is unbelievable; I haven’t seen an album cover that comes close to the artistry that is 1999’s face.  1999 also marks the introduction of The Revolution.

7/11/2016

Prince's Legacy: #6

#6: The Gold Experience

In 1995, The Gold Experience dropped.  The album is a blend of
funk and rock and was arranged as a set of “experiences.” Each song began with a female computer-voice intro informing listeners which experience they were accessing. Prince was still going by the love symbol at that time due to his dispute with Warner Brothers.  TGE snuck up on me because 1995 was a stressful year and a great many things occupied my mind, music being one of the least.  But it is a solid album and I learned to appreciate it later on.  Favorite cuts include “The Most Beautiful Girl in the World,” “Shhh!,” “I Hate U,” “We March,” “Endorphinmachine,” and “Shy.”

6/07/2016

Prince's Legacy: #7

#7:  Diamonds & Pearls

In the late 80s/early 90s, Prince was dropping an album yearly, or so it seemed.  Diamonds & Pearls dropped in 1991, with an awesome holographic cover of Prince and his backup dancers “Diamond” and “Pearl.”  It is an album with an eclectic mix of musical styles from funk to pop to rock.  Diamonds & Pearls features the album debut of Prince’s backup band The New Power Generation.

Having been nursed on Prince and the Revolution since the early 80s, I was sad to learn that Prince and the band broke up in 1986 (though it seemed like they’d been together longer than that.  I’m clearly misremembering that the Revolution was the band behind Sign O’ the Times.  I didn’t know it until Prince got a new band.

*sniff*

5/30/2016

Prince's Legacy: #8

#8: Love Symbol

In the early 90s, Prince went to war with Warner Brothers and changed his name to an unpronounceable symbol, which consisted of conjoined female and male glyphs.  My friends and I called him “Shem” or “TAFKAP,” which stands for “The Artist Formerly Known As Prince.”  Anyway, he dropped an album in 1992 that was titled with said glyph.  It has since come to be known as the Love Symbol Album.  Prince conceived the album as a rock fantasy opera and it is a mix of different musical styles and the songs tell a story.  There is a short movie that goes with the album called 3 Chains o’ Gold. 

5/19/2016

Prince's Legacy: #9

#9: Batman

Tim Burton’s Batman came out in 1989 and its soundtrack created almost entirely by Prince.  He played all the instruments (except horns), wrote all the songs (with an assist by Sheena Easton and John Nelson), did all the production and created a fun, funky album that sold over 4 million copies upon first release.  It wasn’t as successful as his previous albums, but I love it.  Nowadays, over 20 years later, many consider it to be an underrated classic.

5/07/2016

Prince's Legacy: #10

#10: Controversy

Controversy dropped in 1981.  The title track is my favorite, followed by “Let’s Work,” “Do Me, Baby” and “Sexuality.”  I loved “Controversy” because it introduced me to concepts and ideas that my young mind could not fathom.  Also, the beat and synthesizers…come on now!  The song was about all the questions people were raising (or starting rumors) about Prince himself.   “Am I black or white/am I straight or gay…do I believe in God/do I believe in me…?”  

And my interpretation of the entire track is that Prince felt that it was no one’s damned business if he believed in God, if he was straight, gay, bisexual, or whatever.  We’re all human, we are who we are and in the end, what difference does it all make?  The extended cut includes a portion of the Lord’s Prayer, which people thought at the time was blasphemous…or, shall we say, controversial.  He ends the cut by saying we’re all just the same and basically, fuck outta here with all that human hypocrisy. 

4/21/2016

Prince Rogers Nelson, 1958-2016

Rest in Power.
Y'all already heard the news about Prince Rogers Nelson being found dead in his Minnesota home at age 57. There will be a formal post honoring his memory coming in few days, but right now I'm just raw.  My heart aches and I can't stop crying.  My nose is full of snot and I got "Call My Name" on repeat and wishing I had a bottle of wine to go with.  I'm still not over the passing of His Pimpness David Bowie and now 2016 done fucking took His Royal Badness too?

I went through a similar experience when Michael died in 2009. The grief is real, yo, because my first experience with Prince was Controversy, but I didn't fall in love until 1999.  We been together for decades and then he had to go and die on me, y'all!  We purified ourselves in the waters of Lake Minnetonka and he still left me far too soon...I can't take anymore of 2016's bullshit!  


To say that The Purple One was a powerful influence is the understatement of the millennium. Prince changed the game early on, then changed it again and again.  Creatively, he was about 20 years ahead of everyone else and the most beautiful thing about him was the lack of fucks he gave about what folks thought as he sold over 100 million albums.

As the Dark Dilettantes know, I was in the process of writing another fanfic and I was using Prince's music as part of the soundtrack.  I listen to a lot of his music when I write anyway, but the songs chosen for "Lovesick" were particular favorites and now I just don't even know if I can do it...

With most artists, there's usually some sort of scandal that taints their careers and/or legacy. Somebody tell me if that ever happened with Prince.  


I'll wait.


Photo from http://consequenceofsound.net/artist/prince/
We have lost a true virtuoso and visionary.  May his legacy live on. Travel well and godspeed, Prince.

love, 

A heartbroken fan...


1/18/2014

All Hail the King

I don’t purchase music often.  Mainly it’s because 90% of the stuff on the radio is noise to my o’head ears.  Every now and then, a friend will recommend something and I’ll try it out, but this is not a normal occurrence.  I guess that’s how it is when you get older, but I don’t feel like I’m missing much.  I’ve never purchased an album without hearing a few singles, and with the way music is sold now, you really don’t have to purchase entire albums anymore.  That’s both a good thing and a bad thing, but I digress.

5/29/2013

His Name is Prince



I just had to sit down and express the tiniest bit of unnecessary frustration at something that happened last week.  Apparently, at the Billboard Awards (something I don’t watch; in fact, I don’t watch ANY awards shows), some dumbass named Miguel (????) jumped across the stage and DDT’ed one female fan while simultaneously kicking another in the face.  There’s footage on YouTube, which was created just for this purpose.

Seen here:  Epic dumbassery in tight-ass white pants.

I heard about this foolishness on The Read, Kid Fury’s podcast.  Kid and Crissle read that idiot for blood, but then remarked on how Miguel thinks he’s Prince, or is trying to be the next Prince.

*sigh*

*facepalm*

3/23/2013

Untitled

So I'm sitting here downloading music for my brother as I work.  One of the artists he requested was D'Angelo.  Which, of course, led me to this:


*fans self*  Claude Hammercy....

*takes a deep breath* 
 
When the video dropped, I remember pressing my face up against the TV screen and looking down in a futile effort to see what D was packing.  It didn't matter, because I've got one fuck of an imagination and it got put to good use that day.  Anyhoo, on behalf of those of us who love beautiful men, thank you Lord.  I'll be in my bunk.

By the way, is he getting a blow job from 2:45 - 3:10?  My mind's tellin' me YES! 

3/04/2013

Throwback Celebration



As I sit at my computer, working on final edits of my thesis, I’m listening to music.  Sometimes it’s Pandora Internet Radio; other times, it's songs on YouTube.  You already know that I’m an O’head; I prefer the older stuff to what’s on the radio now and I ain't trying to convert.   When I was a kid, 90% of my social activities revolved around music of some sort.  Certain songs trigger certain memories and I truly wanted to recall said memories.  However, I didn’t know the names of the songs associated with them even though I remembered the songs themselves.

12/30/2012

I Miss the 90s


So yesterday, I was hanging with my bff, catching up on American Horror Story.  Afterwards, we got caught watching a VH-1 countdown.  It was just like we were back in college; such wonderful memories.   The countdown in question was the top 40 R&B Songs of the 1990s, and it was hilarious because for just about every song, my bff and I would say, “Girl, that’s my JAYUM!”  We would sing along, reminisce about where we were and what we were doing when said jayum came out.  The 1990s was great for music and so much goodness came out of that decade. 

For a comprehensive list of songs, go here.  But below are some of our jayums from back in the day when life was simpler and the music was good.

4/30/2012

No, I’m Not Ready to Learn…


New song:  EPIC FAIL

Last week, Brian McKnight released a new track entitled “If You’re Ready To Learn.”  Those who are fans of Mr. McKnight (and I’m not one of them) know him as a romantic R&B crooner.  But with this track, he took a sharp left turn and deviated into an area largely dominated by entertainers (I refuse to call them singers) like Trey Songz & Chris Brown.  The song in question is about Brian supposedly teaching a woman about how her pussy works.  And yes, there is video evidence to support it

Yes, you just heard Brian McKnight sing “Let me show you how your pussy works/Since you didn’t bring it to me first/I have lots of things to show you/If you’re ready to learn/ Let me show you how your pussy works/Bet you didn’t know that it could squirt/I have lots of things to show you/If you’re ready to learn…

What’s funny about all of this is how happy and how PROUD he is of this song.  He’s practically giddy with joy.  I love how he hit the high note on the word “pussy.”  As an artist myself, I feel like every one of us should be proud of what we produce and let our efforts speak for themselves.  Having said that, here’s my $.02 on Mr. McKnight’s latest effort:

How can you, a man, tell a woman how her pussy works?  Just what makes you an expert on the female body in such a way that you can explain to what I hope is an ADULT female how her sexual organs function?  Who are you to say that you know exactly what it takes to get a woman off, and are inclined to make the assumption that the same things work for every single one of us?  Motherfucker, you can’t show me shit.  If you came at me like this, my pussy will turn into the fucking Sahara and try to kill you.  Then you can find the blackest part of my ass and kiss it.

*rolls eyes and sucks teeth* The line “Since you didn’t bring it to me first” gives me all kinds of heebie jeebies.  A young girl *bletch* wouldn’t know about squirting.  Could it be possible that Mr. McKnight is, in a roundabout way, suggesting that young women let him be the one to pop the cherry?  If so, eeeew, and break out the can of creepazoid repellent.  Maybe I’m reading way too much into these lyrics, but since there will be young girls listening to this song, my Spidey senses can’t help but tingle.  I find this piece of shit condescending and insulting.  A woman should always be the first to know exactly how her body works, and to wait for a man of Brian McKnight’s ilk to instruct her on the mysteries of her vajayjay is sheer stupidity on her part. 

There is a faction of McKnight fans who like the track and will support him.  That’s fine; one’s fanbase should be stalwart.  But it is my understanding that he has alienated a lot of his fanbase (mostly women) with such explicit lyrics.  They’ve come to expect a certain type of music from him; not something like this, which is better received from a Trey Songz type, and they are definitely letting him know.

Now I mentioned earlier that Mr. McKnight is visibly excited about his new song.  He talks about its genesis and demonstrates two cuts of the track; the studio version and a raw form.  He’s happy; he’s proud, like any artist should be.  You get the impression that this is all very serious to him.  Then, all of a sudden, the song became “a parody” and “a joke” when all of the negative backlash started coming in.

Here is a definition of “parody” as it relates to music:

The practice of reworking an already established composition, especially the incorporation into the mass of material borrowed from other works, such as motets or madrigals.           Source:  The Free Dictionary

Brian McKnight, I call bullshit.  Bull-motherfucking-shit!!!  That song was no joke, and it can’t be a parody because there isn’t an original version preceding it.  It is the original.  You meant that song; you can’t take it back just because most folks weren’t feeling it.  Own it, Brian.  Own it; don’t apologize for it.  If people don’t like it, they don’t like it, but don’t go back on your own feelings about a song you created that you clearly were delighted by.  Every thing ain't for everybody.

When reading the comments on the video, 98% of them were lambasting Mr. McKnight for the track.  2% were in support of the song, but of these 2%, I strongly suspect that he made up 50%.  Those comments just reek of obviousness.  I can’t prove this, of course, but I trust my gut.  I scanned Mr. McKnight’s Twitter feed last week.  He was really upset by the backlash, to the extent that he was engaged for several hours in arguments with some of his followers.  He tweeted the following last Tuesday:

“okay im taking it down and ill never do it again im putting up a safe song jeez no sense of humor but i trended for a little while,” he Tweeted. Later, he added, “It’s funny how we listen and let our kids listen to songs about killing people and selling drugs and calling women bitches … I wrote this song crude as it may be about satisfying all women and look what happened.”   Emphasis mine on the bold text.

Of course, I zoned in on the bold phrase because, as I said before, I find it to be presumptuous and arrogant for any man to claim to be able to do this.  He can think it all he wants, but he better not let the words cross his lips, and he should strongly consider it before pressing SEND.  And for damn sure, don’t write a song about it…and then claim shenanigans when it backfires.

One article claimed that Mr. McKnight is acting out of desperation to save his career, since his last album (which came out last year) sold only 47,000 copies.  I’m guessing we won’t have to wait long to see how that turns out.