Musings in the Dark

12/06/2025

Coda

 Dear Dark Dilettantes,

I’ve been thinking for a while about how to write this post, or whether I should write it at all. But silence has never been my language, and this space has never deserved an abrupt fade to black.

So let me say this plainly: I haven’t disappeared. I’ve transformed.

Musings in the Dark was born in an era when I needed a place to explore anything and everything: desire, darkness, grief, creativity, identity, fandom politics, and the strange corners of the human psyche. This blog held me through some of the most intense and chaotic years of my life. It gave me room to be honest, messy, experimental, vulnerable, and wild.

And many of you, especially the faithful few who always showed up (Shana, I see you), walked with me through all of it. You never asked for explanations. You never demanded updates. You just read, breathed, and understood. This will always mean something to me.

But my life has shifted. My work has deepened and consolidated. These days, every part of my writing– every spark, every question, every ounce of creative gravity–belongs to a single world, a single saga, a single calling: Entropy. It has taken shape and life and turned from one book into a nine-volume saga. I’m finally creating a work I was built for, and it takes all of me. And because of that, this blog has grown quiet. Not for lack of love, but because I no longer need this particular room in the house.

This isn’t an ending, exactly.  It’s a placement; an acknowledgment that Musings in the Dark has completed its arc.

I am formally archiving the blog. Nothing will be deleted. The essays, reflections, fragments, and shadows stay exactly where they are; for the readers who wander through years from now, for the curious ones who trace a writer backward, and for the one or two faithful souls who always wonder where the trail goes.

If you’re reading this, know this much: I’m still writing. I’m still dreaming. I’m still here — just in a different chapter. The Muse hasn’t left. She’s just more focused…and if she ever drags me out for a side quest, the story blogs (Shorties & pinkelegance) remain open for her whims. But do expect Entropy to hit the shelves at some point.

Thank you, Dilettantes, for walking with me through the shadows.

With gratitude and much, much love,

Amaya


10/31/2024

Horror 203: Dark Night of the Scarecrow

This movie single-handedly is the reason why I don’t fuck with scarecrows. The mask is a simple altered pillowcase, similar to Jason’s in Friday the 13th, Part 2, but man…is it effective! The final scene of this underrated 1981 made-for-TV horror classic gives me chills to this day, so much so that I can’t watch it.




10/28/2024

Horror 203: Us

Pluto is the youngest child of Red. He wears a mask presumably to hide his burned features. The mask is effective because of the stark contrast to Pluto’s red jumpsuit and the wide eye holes it has. Pluto’s feral behavior provides an added element to his characterization. And anytime we have a masked child is a win.



10/26/2024

Horror 203: Trick ‘r Treat

The 2007 horror anthology Trick ‘r Treat contains one of the best underrated characters of all time. Samhain, b/k/a “Sam,” is a burlap sack-masked pumpkin patch-born demon who walks around to make sure the rules of Halloween are followed. If they aren’t, he steps in to make sure that the offenders pay the price. Sam looks like a child, but he is not. The burlap sack-mask is weirdly cute because of Sam’s childlike demeanor, but when it is ripped off, his visage is that of a deformed pumpkin, but no less cute. If you ask me, Sam is  Michael Myers’ little cousin.




10/22/2024

Horror 203: The Black Phone

The Grabber’s mask is quite distinctive. It’s in four parts, and he wears it in a variety of ways: a smile, a creepy rictus, or nothing at all. According to Screen Rant, “The Grabber employs the mask as a sort of theater — the different Grabber mask variations each represent characters in a show he's putting on for himself and his victims.” Depending on where he is in his killing ritual determines how he wears his mask. It’s a downright diabolical performance by Ethan Hawke, and as far as I’m concerned, instantly iconic.



10/19/2024

Horror 203:The Silence of the Lambs

Anthony Hopkins’ Oscar-winning turn as suave cannibal Dr. Hannibal Lecter needs no description. Nor does his iconic mask. I think what made everything hit home for the audience–as it was hard to reconcile the slightly-built, calm and soft-voiced psychiatrist with his crimes–was when we saw him strapped to a hand truck with that mask on his face. Not too long after that, we saw what he was capable of.

The mask is a repurposed goaltender’s faceplate, created by Ed Cubberly. I wonder if ol' Ed knew at the time that he was helping create the greatest villain of all time, according to AFI



10/16/2024

Horror 203: Phantom of the Opera

This classic film premiered in 1925, with Lon Chaney Jr. Over time, the mask has evolved as the movie was re-released. The most famous iteration of the Phantom’s mask is in Andrew Lloyd Webber’s classic 1986 musical. According to Google, the mask was inspired by WWI vets with facial injuries. Maria Bjornson, the creator of the commonly known Phantom mask opted to use porcelain instead of copper. The mask represents the Phantom’s vulnerability and the injustice he faces. 

I picked out my favorite variation of the Phantom’s mask, but you can see more of them here: The Many Masks of the Phantom of the Opera - Monsters of Makeup


From L to R: Lon Chaney, 1925. Claude Rains, 1943. Herbert Lom, 1963. Michael Crawford, 1986. Gerard Butler, 2004.




10/13/2024

Horror 203: Alice, Sweet Alice

Brooke Shields’ film debut paints her as the suspect to the murder of her younger sister during her First Communion, and other murders that soon follow. The mask the killer wears is an over-exaggerated woman’s made-up visage, but when it’s worn over an actual face, the effect is chef’s kiss. Scared the hell outta me when I was a kid.



10/10/2024

Horror 203: Eyes Without a Face

A surgeon causes an accident that leaves his daughter disfigured, so he kidnaps young women in an attempt to do a facial transplant. She spends the bulk of the movie wearing a creepy white porcelain mask. The actress that plays Christiane, Edith Scob, has very expressive eyes. This produced a very creepy, effective effect. Scared the shit out of me when I was a kid.



10/07/2024

Horror 203: The Masks of The Wicker Man, 1973

This is my favorite folk horror movie. Combine a pagan cult and Christopher Motherfuckin’ Lee, and you get some of the creepiest masks in horror movie history.





This movie still gives me the heebie-jeebies.


10/04/2024

Horror 203: The Big Four

I don’t even need to name them because everyone knows the Mount Rushmore of horror movie masks.

Leatherface, from 1974’s The Texas Chainsaw Massacre, directed by Tobe Hooper, has a mask made of dried human skin. Played by the late Gunnar Hansen, Leatherface is a chainsaw-wielding inbred fiend from a family of cannibals. 

Michael Myers, from 1978’s John Carpenter classic Halloween, has an altered William Shatner mask. Production designer Tommy Lee Wallace found the mask in a local shop, shaved off the sideburns, widened the eyeholes, jacked the hair, spray-painted it white, and an icon–and my favorite slasher–was born.

Jason Voorhees wore a bag on his head in 1981’s Friday the 13th Part 2, but for 1982’s Part 3, F/X supervisor Martin Sandoff happened to have some hockey gear on set and director Steve Miner loved his Detroit Red Wings mask. After that, it was off to the races and the name Jason Voorhees became synonymous with hockey masks.

Ghostface, from 1996’s Wes Craven’s masterpiece Scream, has a mask that’s based on Edvard Munch’s The Scream and the film poster to Pink Floyd’s The Wall, and originally created by Fun World. It was different and an instant classic.

You will find these four iconic masks on any respectable list and it would be disrespectful to leave it off mine.


10/01/2024

Horror 203: Best Masks

In my opinion, a good horror mask is most effective when it is simplistic. There have been plenty of good ones over the years and true fans of the genre know that a lot of later masks were influenced by earlier ones in lesser-known films. Some years back before I left the US, back when Netflix was solely a DVD mail service, I went down a rabbit hole and watched a lot of old horror movies. It was a time, I tell you! Netflix ain’t shit now, but I digress. In those old flicks, I got introduced to some creepy masks. 

What’s always been most effective for me as a young horror head is a plain white mask with large eye holes. It’s oftentimes better when the eyes aren’t seen, but it’s also extremely creepy when they are, depending on the situation. A white mask is most effective for reflecting all the fears your mind unfurls in a stressful situation, at least that’s the case for yours truly. Second place would be a good animal or creature mask. But I also have to give some love to definitive masks that are associated with one character or movie and its effect cannot be replicated under any circumstances. So for this year’s Halloween celebration, I will highlight some of my favorite horror movie masks. 


Sources:

History of Horror Masks

Top 10 Masked Killers in Horror Movie History

Scariest Horror Movie Masks

Horror Movies Masks

Top 21 Scariest Horror Movie Masks | Den of Geek

Wikipedia

IMDb


10/30/2023

Horror 202: Best Years In Horror: 2023

Nope

Director: Jordan Peele

Budget: $68M

Box Office: $172.3M 

Date of Release: July 22


Barbarian

Director: Zach Cregger

Budget: $4.5M

Box Office: $45.4M 

Date of Release: September 9


Smile

Director: Parker Finn

Budget: $17M

Box Office: $217.4M 

Date of Release: September 30


Bodies Bodies Bodies

Director: Halina Reijn

Budget: $

Box Office: $14M 

Date of Release: August 5


And thus ends my Spooky Season Celebration, Dilettantes! Until next year!


10/29/2023

Horror 202: Best Years In Horror: 2002

 

28 Days Later

Director: Danny Boyle

Budget: $8M

Box Office: $84.6M 

Date of Release: November 1


The Ring

Director: Gore Verbinski

Budget: $48M

Box Office: $249M

Date of Release: October 18


Resident Evil

Director: Paul W.S. Anderson

Budget: $40M

Box Office: $1B 

Date of Release: March 15


Dog Soldiers

Director: Neil Marshall

Budget: $2.3M

Box Office: $5M 

Date of Release: March 22


10/24/2023

Horror 202: Best Years in Horror: 1999

 


The Blair Witch Project

Director: Daniel Myrick & Eduardo Sanchez

Budget: $200-700K

Box Office: $248.6M 

Date of Release: July 14


Stir of Echoes

Director: David Koepp

Budget: $12M

Box Office: $21.1M 

Date of Release: September 10


Sleepy Hollow

Director: Tim Burton

Budget: $70-100M

Box Office: $207.1M 

Date of Release: November 19


Audition

Director: Takashi Miike

Budget: $$$

Box Office: $119K 

Date of Release: March 3*


*in Japan

10/22/2023

Horror 202: Best Years in Horror: 1996



Scream

Director: Wes Craven

Budget: $14-15M

Box Office: $173M 

Date of Release: December 20


From Dusk Til Dawn

Director: Robert Rodriguez

Budget: $19M

Box Office: $59.3M 

Date of Release: January 19


The Frighteners

Director: Peter Jackson

Budget: $26M

Box Office: $29M 

Date of Release: July 19


10/18/2023

Horror 202: Best Years in Horror: 1984

 


A Nightmare on Elm Street

Director: Wes Craven

Budget: $1.1M

Box Office: $57M 

Date of Release: November 9


The Terminator

Director: James Cameron

Budget: $6.4M

Box Office: $78.3M 

Date of Release: October 26


Children of the Corn

Director: Fritz Kiersch

Budget: $$$

Box Office: $14.6M 

Date of Release: March 9



10/15/2023

Horror 202: Best Years in Horror: 1982

 

Poltergeist

Director: Tobe Hooper

Budget: $10.7M

Box Office: $121.7M 

Date of Release: June 4


Creepshow

Director: George A. Romero

Budget: $8M

Box Office: $21M 

Date of Release: November 10


Basket Case

Director: Frank Henenlotter

Budget: $35K

Box Office: $_____ 

Date of Release: April 7

The Thing

Director: John Carpenter

Budget: $15M

Box Office: $19.6M 

Date of Release: June 25


10/13/2023

Horror 202: Best Years in Horror: 1980

 


Friday the 13th

Director: Sean S. Cunningham

Budget: $550K

Box Office: $59.8M 

Date of Release: May 9


The Fog

Director: John Carpenter

Budget: $1.1M

Box Office: $21.3M 

Date of Release: February 1


The Shining

Director: Stanley Kubrick

Budget: $19M

Box Office: $47.3M 

Date of Release: May 23


Dressed to Kill

Director: Brian De Palma

Budget: $6.5M

Box Office: $15M or $31M 

Date of Release: July 25